Monday July 15, 2013 | 8:00PM @ Exit/In
With very few exceptions, Hip Hop anthems have their popularity, and perhaps resurgence among a new generation of fans – then they go on to the next anthem. Not so for Souls of Mischief’s seminal classic ’93 ’til Infinity, which has remained popular for a 20-year run and counting.
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Amerigo Gazaway | 9:00 PM
With the breakthrough release of 2011’s *Fela Soul*, Amerigo Gazaway’s sophomore effort was declared “a virtual web hit” (MTV) seemingly overnight. As the creator of one of the year’s most buzz-worthy independent releases, the 26 year-old Nashville native successfully showcased his unique ability to blend multiple genres into a singular dance floor groove. The son of renowned Jazz trumpeter, Gary “El Buho” Gazaway, the producer’s culturally diverse upbringing is reflected in his nuanced, multilayered instrumental arrangements. With a process the LA Times describes as “drawing a different design within a similar framework”, Gazaway’s cleverly executed remix/mashup projects gives audiences a familiar, yet fresh and distinct way to experience their favorite songs.
The producer’s first full-length instrumental album, *Selective Hearing Vol. 1*, was released in 2010 on the Cold Busted label founded by veteran dance DJ, Vitamin D. Charting on Beatport’s top selling Chill-Out sales chart, the album introduced listeners to Gazaway’s tasteful use of samples and unique knack for combining diverse sounds into something completely new and original.
While studying Digital Media at MTSU, Gazaway and fellow producer Wally Clark co-hosted the popular “Gummy Soul Show” on the now defunct Nashville radio station WRVU. The program, which featured rare 60’s and 70’s soul eventually morphed into a boutique record label co-owned and operated by the two former radio hosts. The label’s inaugural release came in the form of Kurtis Stanley’s – *Gummy Soul* album- a release for which Gazaway contributed production and established a heavy involvement in the label’s video production, album artwork/graphics, and web design.
In 2011, Roots’ drummer Ahmir “Questlove” Thompson hit town with a per-announced DJ set at a local Nashville nightclub. Seeing the opportunity, Amerigo posed as a photojournalist, gained access to the club’s backstage area and cleverly slipped Questlove a copy of his just finished Fela Kuti/De La Soul mashup fusion, *Fela Soul*. Thompson, an avid afrobeat/native tongues fan called the album “brilliant” and published it to his website, Okayplayer. Quickly spreading to other outlets, the album made MTV Hive, The Source and BoingBoing before taking top 5 rankings on both NPR and Soul Train’s year-end “Best of 2011” list.
On the one year anniversary of his *Fela Soul* release, Amerigo found success a second time with the recently released *Bizarre Tribe; A Quest To The Pharcyde*. In merging Pharcyde vocals over re-orchestrated A Tribe called Quest samples into an album Okayplayer calls “funky like your great-grandpas draws with a fish in it”, the album was downloaded over 30,000 times in its first two weeks of release.
Souls of Mischief | 10:30 PM
With very few exceptions, Hip Hop anthems have their popularity, and perhaps resurgence among a new generation of fans – then they go on to the next anthem. Not so for Souls of Mischief’s seminal classic ’93 ’til Infinity, which has remained popular for a 20-year run and counting. 50-somethings all the way down to tweens know every word to the song, which was born when A-Plus bought a dollar record by Billy Cobham (Heather) and began to sample it, adding his now-signature rhythms, drum patterns, and more.
Souls of Mischief began to come together when the members were just children in elementary school. Oakland native Tajai began rhyming with future band mate A-Plus at age 8, while both were in elementary school. “My dream and goal since I was 8, was to come out with a dope hip hop album and be in the same peer group as all of the rappers I looked up to at the time. To be a part of that exclusive club of hip hop artists recognized and respected for their work,” A-Plus reminisces. Tajai and Phesto met later in junior high school, A-Plus introduced Tajai to Opio (who met him from Hiero member Casual) and the group informally formed in high school before making their major-label debut on Jive Records with their well-received album 93 ‘til Infinity, in 1993.While most recording artists are still honing their craft in high school, Souls of Mischief were ready to realize their dreams. Phesto Dee explains it best “My dream was to be a famous, dope ass multi-talented rapper and producer and garner respect from my peers and colleagues. We have been fortunate enough to attain longevity which was something I thought about, but never imagined would come true. 20 years is a blip in time really but that is considered a long career in this industry. So to still be living my dream twenty years later is incredible.” 93 ’til Infinity is the group’s highest charting album to date (#17 Top R&B/Hip Hop Albums; #85 Billboard 200), and in January, 1998, was named one of the Top 100 Rap albums by The Source magazine. The group stayed with Jive for one more album, 1995’s No Man’s Land, before being released from the label during that same year. In 1995, following the release of the group from its major-label contract with Jive the group officially formed the hip-hop collective Hieroglyphics (Del the Funkee Homosapien, A-Plus, Tajai, Opio, Phesto Dee, Domino, Casual, Pep Love and DJ Toure). Souls of Mischief participated as full members in Hieroglyphics’ studio albums: “3rd Eye Vision”, “Full Circle” and “The Kitchen”. Popular artists from Kanye West to Just Blaze to Vampire Weekend to John Mayer and so many more have given props and kudos to Souls of Mischief in person and in public for being a huge influence musically, style-wise, lyrically, and for the impact of their produced music. Kanye West was impressed by the group’s fashion sense and style as well. “They was like the first fresh to death group, they had the rugby’s it wasn’t about being a backpacker…they was like…the ’93 me!” From J-Cole to Big K.R.I.T. and from Vampire Weekend to P-Diddy, other producers and artists have also paid their homage by sampling the group’s music or interpolating it into their own sound.
Kanye West Lauds Souls of Mischief (video)
Beyond influencing popular music, Souls of Mischief was one of the first groups to have a major impact on the skate, surf & snowboard culture as well. According to Tajai, it all started when the group “got in on the 411 Video Magazine and [Plan B’s] Second Hand Smoke skate videos. That catapulted us to a whole different level. Fortunately, skaters have followed us throughout the years. We’ve got snowboarder fans and surfer fans through videos. There’s this action sports crossover. At first it seemed kind of random. But when we got on those skate videos, they were these seminal skate videos, just like our record is a seminal record for California underground hip-hop. These skate videos had guys like Jovontae Turner or Mike Carroll and they were skating in a style that was brand new.” Still making an impact to this day, the NBA is even getting in on the action. “They played “’93 ‘Til Infinity” at a Warriors game recently, and that felt good, because you’ve got 20 million people watching the playoffs on TV,” explained Tajai.
All of this influence stems from five full-length albums together as Souls of Mischief, three of which were released on their crew’s self-owned indie label, Hieroglyphics Imperium – “Focus”, “Trilogy: Conflict, Climax, Resolution” and “Montezuma’s Revenge” produced By Prince Paul. In an era when most rap albums are accomplished by emailing beats and verses back and forth, Montezuma’s Revenge was created the old-fashioned way, with Phesto, Tajai, Opio, A-Plus, Domino, and Prince Paul in the studio together from the beginning to the end of the recording process honing and perfecting each song to create a magnum opus. Souls spent months in the lab working & living with Prince Paul (De La Soul, Gravediggaz, Handsome Boy Modeling School) to craft the masterpiece LP, Montezuma’s Revenge, which was later released in 2009 to critical acclaim, rave reviews, and a European tour in conjunction with Carhartt brand clothing. Since 2009, Souls members have remained busy on solo projects including A-Plus’s “My Last Good Deed” & “Pepper Spray”, Tajai’s “Power Movement” & “Machine Language”, Opio’s “Vulture’s Wisdom” series and his collaborative album with Pep Love as First Light “Fallacy Fantasy”, and Phesto Dee’s “Background Check”. In 2013, the group is celebrating the 20th anniversary of the classic hip-hop album 93 ‘til Infinity, performing the album in its entirety with a live band on the Still Infinity Tour – hitting over 50 cities. If that wasn’t enough, Souls are preparing for the 2nd Annual Hiero Day music and culture festival in Oakland (9/2013), conducting interviews for the first-ever book on SOM, and anticipating the release of a Souls of Mischief documentary film.